Sources:1. Borla, Mathilde : Les Statuettes Funéraires du Musée Égyptien de Turin In: Dossiers d'Archeologie
2003
2. KMT, vol. 14, pt. 1
3. Meskell, Lynn: Intimate archaeologies : the case of Kha and Merit. IN: World Archaeology, Vol. 29,
No. 3, Intimate relationships (Feb. 1998), p. 363-379.
4. Shaw, Ian, Nicholson, Paul: British Museum dictionary of ancient Egypt
London: British Museum Press, 1995.
5. Reeves, Nicholas: Ancient Egypt : the great discoveries : a year-by-year chronicle
London : Thames & Hudson, 2000.
6. Vassilika, Eleni: The tomb of Kha : the architect
Torino : Fondazione Museo delle Antichita Egizie, 2010.
7. Russo, Barbara: Kha (TT 8) and his colleagues : the gifts in his funerary equipment and related
artefacts from Western Thebes
London : Golden House Publications, 2012.
8 https://arxiv.org/ftp/arxiv/papers/1107/1107.5831.pdf
9. Raffaella Bianucci, Michael E. Habicht, Stephen Buckley, Joann Fletcher, Roger Seiler, Lena M.
Öhrström, Eleni Vassilika, Thomas Böni, Frank J. Rühl. "Shedding New Light on the 18th Dynasty
Mummies of the Royal Architect Kha and His Spouse Merit", in PLOS-One, July 22, 2015
http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0131916
Images of Deir el-Medina:
past & present
Recent developments at Deir el-Medina
and the latest news
Claudia Näser, Der Alltag des Todes: Funeräre Praktiken in Deir el-Medine im Neuen Reich.
(GHP Egyptology 35). Golden House Publications, 2024.
Hb, 708 pp. ISBN 978-1-906137809. £100.
http://www.goldenhp.co.uk/index2.htm
Combining archaeological and textual evidence, Claudia Näser outlines the evolution of mortuary practices in this close-knit community [of artisans at Deir el-Medina] over four hundred years. She reconstructs and systematises the processes of assembling the burial equipment and the mechanics of the burial itself. She also discusses a number of later 'intracultural' interventions, including grave-robbing and subsequent inspection, tidying up and reburial. (..)"
N.B. The book is also available in Open Access.
Seminários de Egiptologia LAOP - Dr. Kathrin Gabler
"The Development of Text Types at Deir el-MedinaOr First Insights Why Different Qenhirkhopshefs Wrote Different Texts"
Google Meet, 27 May · 10 till 11:30 a.m. Sao Paolo time
Video of a lecture at the Museo Egizio, Torino:
"News from the place of truth. Some further considerations and thoughts about Deir el-Medina,"
by Dr Cédric Gobeil
14 May 2024 [1 h 6 mins.]
https://www.youtube.com/live/ct7eo6aaNKA
Cédric Gobeil reports on work at Deir el-Medina, which continues to yield new discoveries. In particular, three topics are discussed that are currently being investigated by the Egyptian Museum.
An update on the latest field mission in the tomb of Khawy the Khawy Keeper (TT 214), a re-evaluation of one of the votive chapels using new technologies, and a promising discovery from the museum's collection.
New online article in Bulletin de la Société d'égyptologie, Genève [BSÉG], no. 34:
Rob Demarée, "Fresh goose-fat to cure a nightmare?" (published on 17 April 2024)
The draughtsman Nebre's health problems, which required the intervention of deities, are well known in Egyptological literature. The texts of two ostraca - one of which is hitherto unknown - provide further insight into the mental difficulties of this prominent member of the Deir el-Medina community and the remarkable medical prescription proposed.
<https://oap.unige.ch/journals/bseg/issue/view/92>
Online dissertation: Muhammad R.A Ragab, The Workmen's Graffiti in the Valley of the Kings: The Impact of Landscape and Social Networks on Graffiti-making, with a Focus on the Unpublished Graffiti Discovered by Howard Carter in 1915–1918.
Doctoral thesis, University of Uppsala, 2024. 432 pp. PDF, 33 MB.
https://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-525118
or
https://uu.diva-portal.org/smash/record.jsf?pid=diva2:1846643
Graffiti has the power to transform a space within a given landscape into a meaningful place. This study undertakes an in-depth analysis of more than 4000 graffiti created by the artisans of Deir el-Medina in the Theban Mountains during the New Kingdom (c. 1550-1050 BC), with a particular focus on the Valley of the Kings. In addition, the research contributes to the existing documentation by publishing graffiti numbers 1406-1526, identified as 'Carter Graffiti' in the Valley of the Kings. Significantly, these graffiti have not been previously published and fill a significant gap in scholarly knowledge. (...) The main aim is to elucidate the evolution of graffiti making practices and the multiple roles of these informal inscriptions, particularly in the context of the Deir el-Medina community. (..)
Book of the Dead of Kha: Analysis and Studies
The Egyptian Museum in Turin has launched a major project to analyse and study the Book of the Dead of Kha
https://www.museoegizio.it/esplora/notizie/libro-dei-morti-di-kha-analisi-e-studi/
This is a 14 metre long papyrus displayed in Room 7 of the Museum, on the first floor of the building dedicated to the tomb of the architect Kha and his wife Merit. The manuscript contains 33 magical formulae, many with illustrations, for the guidance, protection and resurrection of the deceased in the afterlife.
The Kha Papyrus
This artefact was found in the tomb of the royal architect Kha and can be dated between 1425 and 1353 BC, in the New Kingdom. It was discovered inside the tomb by Ernesto Schiaparelli in 1906, during the Italian archaeological mission, and was immediately found to be in an excellent state of preservation.
The analyses
From Monday 26 February, the artefact will be analysed for three weeks as part of a project carried out by the Egyptian Museum with the support of the MOLAB mobile laboratory of the E-RIHS (European Research Infrastructure for Heritage Science) in collaboration with groups from the ISPC CNR of Catania, Florence, Milan, Rome, the SCITEC CNR of Perugia and the SMAArt centre of the University of Perugia.
After the preliminary analyses, RAMAN spectrometry - a non-invasive technique - will be used to analyse the composition of the pigments used in the papyrus, to distinguish between the original materials and those added later, and to study past restorations and future conservation measures.
This will be followed by further analysis using XRF mapping (X-ray fluorescence spectroscopy): in this particular case, the aim is to study what is no longer visible, such as preliminary drawings, changes in the colouring of the vignettes, erasures and possible scribal errors.
Other analyses will be carried out under the HIROX microscope in order to study in detail the texture of the painting, the painting technique used, the mixture of colours and the special glitter effect.
The study
The name of the owner benefiting from the formulae usually appears frequently after the title and at the end of the chapters. On the Kha papyrus, however, the space provided for the name is blank in some chapters; it seems that the Book of the Dead was prepared before it was intended for Kha, and the space for the name of its later owner was left blank. It was only when the manuscript was adapted for Kha that his name was inserted, although not in all places. The later insertion of the name can be seen in the second column of chapter 1: the titles and names of Kha and Merit are very widely spaced because the scribe had to fill the inner column. Furthermore, enlargement shows that the names are written over another erased text, from which some traces of ink can still be seen, suggesting that the manuscript was intended for another person.
Even with the naked eye, a change of plan can be seen in the decoration: the initial scene shows the god Osiris in the form of a mummy from the chest down, but a decoration can be seen under the white neck; the god's body was originally covered with feathers or flowers. Ongoing analysis will be crucial in clarifying whether this is a change of taste related to the reuse of the papyrus for Kha.
Reinstallation of Room 6, Deir el-Medina" at Museo Egizio in Turin, Italy
https://www.museoegizio.it/en/explore/news/reinstallation-of-room-6-deir-el-medina
An extensive and cross-functional working group within the museum has undertaken new research, both in terms of Egyptology and exhibition design, as well as in terms of interpretation and accessibility of the content within the space.
For some time now, the Museo Egizio in Turin has been working on the reinstallation of Room 6, which contains artefacts from the village of Deir el-Medina. On Monday 4 March 2024 we will begin the reinstallation of the objects, which will last until 28 March. It will be done in public, and public access to Room 7 (which contains the tomb of Kha and Merit) as well as the passage to the room "In Search of Life" will be guaranteed. The new arrangement will be completed and open to the public from 29 March 2024.
Liverpool Egyptology Seminar:
The Turin Papyrus Collection – Past, Present and Future research projects on DeM papyri
Dr Susanne Töpfer (Museo Egizio di Torino)
https://forms.office.com/pages/responsepage.aspx?id=MVElUymxEECG4UdL_X6AdvL_ZhnMGitLrQogJYuUCKpUMUpPSlE0U1FaTVNVNUpCMkMzT1FQMVVBRi4u#:~:text=4
Thursday 7 March, 17:00-18:30
In person or online.
Rendall SR4 or zoom
The Museo Egizio in Turin houses one of the most important papyrus collections in the world. The Papyrus Collection comprises nearly 700 complete or reassembled manuscripts and over 20,000 papyrus fragments, documenting over 3,000 years of written material culture in seven scripts and eight languages. The vast majority of the papyrus manuscripts in the Museo Egizio date from the Ramesside period and most likely originated in the settlement of Deir el-Medina, which housed the families of the workmen who built the royal tombs. The papyri probably belonged to members of the administration of the royal necropolis.
"Turin Papyrus Online Platform (TPOP)" - A step away from closed archives towards open data:
https://collezionepapiri.museoegizio.it/en-GB/
Life and Death in Deir el-Medina with Dr Claudia Naeser
4 lectures delivered over 2 afternoons. Sunday 14th & 21st April 2024, 2-5pm UK times
More information https://kemetklub.co.uk/product/life-and-death-in-deir-el-medina/
This series of 4 lectures coincides with the publication of Claudia's The Everyday Life of Death. Mortuary practices in the New Kingdom at Deir el-Medina (in German) later this year. In her book, as in this course, Claudia uses archaeological, pictorial and textual data from Deir el-Medina, the village of the village of the artisans who built the tombs in the Valley of the Kings, to reconstruct the evolution of mortuary practices in this close-knit community over four hundred years. community over four hundred years.
Claudia's book will be published by Golden House Publications (http://www.goldenhp.co.uk/egypt.htm)
Divine Mortals: Royal Ancestor Worship in Deir el-Medina
Harvard Museum of the Ancient Near East
Jan 3, 2024
Speaker: Yasmin El Shazly, Deputy Director for Research and Programs, American Research Center in Egypt
Yasmin El Shazly discusses the importance of ancestor worship at Deir el-Medina - particularly of Amenhotep I and his mother Ahmose-Nefertari. Featured prominently in houses, artworks and tombs, these two royal figures held important positions in the Egyptian 'hierarchy of being' and exerted great influence over the daily lives of the inhabitants of Deir el-Medina.
https://www.youtube.com/watch?v=rmkqUD8ndtw
Virtual Tour of the Museo Egizio
A new virtual tour is now available on the Museo Egizio website! It allows the public to remotely visit the most iconic sections of the collection, those dedicated to the village of Deir el-Medina and the tomb of Kha.
Based on a series of 360-degree panoramic photographs in high definition, the virtual tour reconstructs the rooms dedicated to the finds from the intact tomb of the architect Kha and his wife Meryt, and from the village of craftsmen and workers of Deir el-Medina.
As well as being able to move around the rooms, the user has access to a number of tools that enhance the experience of the visit: a series of 3D models of the objects on display, offering the possibility of viewing the finds with unprecedented precision and detail. By positioning the cursor in the rooms, it is also possible to access 18 videos to discover more details and stories about the two sections, guided by the words and voices of the museum's curators.
http://virtualtourragazzi.museoegizio.it/
New open access e-journal: Hieroglyphs : Studies in Ancient Hieroglyphic Writing
http://cipl-cloud37.segi.ulg.ac.be/index.php/hieroglyphs/index
International peer-reviewed e-journal with the aim of promoting the academic study of hieroglyphs in all their dimensions in Egyptology and with a comparative perspective to other hieroglyphic traditions and writing systems with a strong iconic component.
http://cipl-cloud37.segi.ulg.ac.be/index.php/hieroglyphs/index
Vol. 1 (2023) appeared in August 2023:
http://cipl-cloud37.segi.ulg.ac.be/index.php/hieroglyphs/issue/view/1
Contains an article The Scribe’s Outfit 𓏟 in the Deir el-Medina Pseudo-script : Shapes and Uses by Ben Haring
The sign for 'scribe', which appears among the identity marks on the Deir el-Medina ostraca and other artefacts of the Ramesside period (c. 1290-1070 BC), displays a remarkable graphic diversity. Its basic forms were inspired by hieroglyphic writing on the one hand, and cursive (hieratic) writing on the other, and both forms seem to have enjoyed equal popularity in similar contexts. In addition to the information it provides on the reception of hieroglyphic and hieratic writing among semi-literate administrators, the sign is evidence for the existence of a 'senior scribe' at Deir el-Medina.
http://cipl-cloud37.segi.ulg.ac.be/index.php/hieroglyphs/article/view/6
Textiles from Theban Tomb 298 at Deir el-Medinah: First Survey and First Observations with Amandine Merat
The period from 18 January to 26 January 2022 was devoted to the study of the textiles found in the Theban tomb of Baki (TT298, reign of Sethi 1st) at Deir el-Medinah.
The objectives of this first season of study were to gain an overview and a better understanding of the material found in the tomb, its condition, quantity and nature, and to begin the analysis of some samples as part of the preparation for the overall study to be carried out in the following seasons. Despite the limited time spent on site, this first survey has already yielded important discoveries and observations, the results of which will be presented in this lecture.
Date: Sunday 6 August 2023, 15.00 BST
Location: Zoom
https://www.essexegyptology.co.uk/?page_id=2514
The First Recorded Strike in History by Jenny Cromwell, Senior Lecturer in Ancient History at Manchester Metropolitan University and member of the Manchester Centre for Youth Studies
https://papyrus-stories.com/2022/03/15/the-first-recorded-strike-in-history/
New epublication - Guillemette Andreu-Lanoë, Dominique Valbelle, Ian Shaw (transl.), Guide to Deir el-Medina.
(GIFAO 3). IFAO, 2023. 180 pp. ISBN 9782724709568.
EUR 19.
TOC at <https://www.ifao.egnet.net/publications/catalogue/9782724709568/>
"(..) Walking around the site of Deir el-Medina and studying the paintings that adorn the walls of the rock tombs, the visitor will get to know the spirit of its occupants, their earthly ambitions, the religious and funerary universe of their conception
of the afterlife and also the feasts of the multiple deities who composed the local pantheon. Coming upon the temple, built in the Ptolemaic period, comes as a perfect ending to this archaeological walk.
Translated from French to English by Ian Shaw."
Entry at the blog 'Papyrus Stories' of Dr Jenny Cromwell: "A Stingy Boss and a Lack of Beer"
(December 23 2019)
https://papyrus-stories.com/2019/12/23/a-stingy-boss-and-a-lack-of-beer/
July lecture of the Thames Valley Ancient Egypt Society www.tvaes.org.uk
Doodles, dedications, or debris: figured ostraca from Deir el Medina with Dr Joanne Backhouse
Saturday July 8th 2023 at 2pm (via ZOOM)
Cost : FREE for TVAES Members, £4 for Non-Members
Booking: https://www.ticketsource.co.uk/tvaes
Joining: Use the zoom link emailed when booking from ticketsource, members are admitted from approx. 15 minutes before the lecture. The lecture is live only and will not be recorded.
Over five thousand limestone and pottery sherds have been recovered from Deir el-Medina. Many were inscribed with hieratic text, relating to the administration of the site. A significant number were decorated with images, so called ‘figured ostraca’. This includes satirical scenes and depictions of animals and human figures. This lecture will examine the types of scenes represented and the functions of the ostraca as objects. Particular attention will be given to images of women with children shown in a domestic setting or a kiosk outdoors. In the repertoire of Egyptian art, these images are a rarity as the women are the main protagonists, they are not merely accompanying their husbands or fathers. Furthermore, these scenes are unique to the village so can be considered examples of regional art. Links to painted wall decoration will also be reviewed.
Joanne Backhouse completed her PhD at the University of Liverpool in 2016, where she is a lecturer in the Continuing Education Department. Joanne also lectures at museums and galleries in the North West of England and since the pandemic on Zoom. Her research interests focus on representations of the female form in two and three dimensions. Joanne is also chair of Wirral Ancient Egypt Society.
Deir el Medina community and the elite Theban Necropolis during the 18th dynasty by Dimitri Laboury, F.R.S. - FNRS - University of Liege
A lecture organised by the Egypt Exploration Society on June the 6th 2023
https://www.youtube.com/watch?v=5X8V8zZnKCc
Riddle of ancient Egypt's 'impossible' sculpture is finally solved - in Scotland
For more than 150 years, a curious ancient Egyptian statue, carved out of limestone, has been in the collections of the National Museums of Scotland (NMS) in Edinburgh (ref A.1956.139). The monument shows a kneeling man whose face has been destroyed. Seated on his lap, nestled in his outstretched arms, he holds a small, chubby figure of a child who unmistakably is a pharaoh, wearing a blue crown with an uraeus réf. A.1956.139. The statue clearly shows a crowned king, but an ordinary person would never be shown in three dimensions with a ruler. The statue has remained a mystery to generations of Egyptologists because it should be impossible; by the strict conventions ruling every aspect of Egyptian life, a commoner could not, at any time, touch a reigning king, let alone be in such intimate contact. According to Egyptological understanding of Egyptian statuary "a private person is never sculpted together with the king" (Freed 1997).
This is where Margaret Maitland, the principal curator of the ancient Mediterranean at NMS, comes in. After meticulous investigations, she found other statues of the same type in various museums around the world. She also noticed that they had one more thing in common: they all came from excavations carried out (notably by the French) at the site of Deir el-Medina, the village of the workers and craftsmen in charge of preparing the pharaoh's tomb.
Maitland explains: "For centuries, it was forbidden to portray such a grouping, even in two dimensions in tomb paintings". She finaly realised that the small figure depicted in the statue was not a living pharaoh, but a statue of a pharaoh. The iconography of the donor, kneeling as he is with outstretched arms, echoed other familiar depictions of an Egyptian figure presenting an offering. A few in the group show the royal statue within a shrine, so in less intimate contact with the donor than the Edinburgh example.
Her conclusion is that the most senior workers at Deir el-Medina were uniquely permitted, at this specific time and place, to offer statues to chapels in their own temple of Hathor at Deir el-Medina, portraying themselves in the closest contact with these images of divine power and authority. The fact that this sculpture depicts the statue of the pharaoh, and not the pharaoh himself, makes its existence more acceptable. Anyway, this could not have happened without the knowledge of the royal court. These images were mutually beneficial, reinforcing both the supreme power of the rulers and the loyalty and status of the village officials so intimately connected with them.
So, who is the faceless man and the statufied child pharaoh?
The highest official at Deir el-Medina would have been the vizier, but the statue does not show the robe typically worn by such a senior figure, a model that looks like a bag with straps.
Just under the Vizier was the senior scribe, who was responsible for the crucial inscriptions in the tombs. If Maitland's identification of the small king as Ramesses II is correct, we know who the donor is: his name is Ramose.
The senior scribe Ramose, an extraordinary man!
Some time ago Thierry Benderitter wrote a presentation entitled: The scribe Ramose and his three tombs: TT7, TT212 and TT250.
There he writes: "The scribe Ramose, who was in office during the first part of the reign of Ramesses II, was one of the most famous characters of the community of craftsmen residing in the village of Deir el-Medina. No one else left as many stelae or statues, as an offering in fulfilment of a vow or in gratitude, to nearly all divinities of the Theban pantheon, and beyond[...] A character of immense prestige and having considerable influence, he profoundly marked the history of the village where he remained famous as the richest man who ever lived there (Cerny)".
Fierce arguments among Egyptologists are common and Margaret Maitland's work is no exception, though her conclusions seem to have been accepted by many. The main subject of controversy is the identity of the pharaoh of the statue. While Rameses II remains a good candidate, some have suggested it to be Amenhotep I, Patron of the village and the workers.
Livescience / Theartnewspaper / eloquentpeasant.com
Source: https://www.osirisnet.net/news/n_05_23.htm?en
Weseretkau “Mighty of Kas”: Papers in Memory of CathleenA. Keller. Edited by Deanna Kiser-Go and Carol A. Redmount.
Lockwood Press, 2023. 438 pp. Hb, ISBN 978-1-948488-85-3,
$125.00. eBook (PDF), ISBN 978-1-948488-86-0, $100.00.
TOC at
https://www.lockwoodpressonline.com/index.php/ebooks/catalog/book/72
(individual chapters available.)
https://www.isdistribution.com/BookDetail.aspx?aId=157853
"Weseretkau “Mighty of Kas” honors the life and career of Professor Cathleen “Candy” Keller, a truly extraordinary teacher, scholar, Egyptologist, and polymath. The contributors to this volume were Professor Keller’s students, friends, and colleagues.
Though much of the research presented here centers around the honoree’s two primary passions—Egyptian art and the study of the village of Deir el-Medina— the range of topics reflects her broad Egyptological interests, including religious organization, artistic technique, museum collections, textual analyses, historical events, and archaeological studies at sites throughout Egypt."
Benedict G. Davies (ed.), Dispatches from Deir el-Medina.
Abercromby Press, 2023. Hb, 257 pp. ISBN 9781912246175.
£54.95.
https://www.abercrombypress.co.uk/books/dispatches-from-deir-el-medina/
This inaugural volume in a new series of Deir el-Medina research presents a collection of eleven essays by some of the leading experts on the royal workmen’s community.
TOC/List of papers at <http://www.egyptologyforum.org/bbs/Dispatches_DeM.pdf
Videos of lectures organised by UC Berkeley and Badè Museum of Biblical Archaeology:
"Tattooed Women, Bes, and the Marsh: Connecting Tattooed Bodies and Figurines at Deir el-Medina, Egypt," by Dr. Anne Austin (March 9, 2023) [56 mins.]
https://www.youtube.com/live/3oEgAMbqjn4
Henri Wild, Delphine Driaux (éd.), Chloé Ragazzoli, Julie Masquelier-Loorius
La tombe de Néfer·hotep (I) et Neb·néfer à Deir el Médîna [N° 6] et autres documents les concernant
https://www.ifao.egnet.net/publications/catalogue/9782724708448/
For many years, the Theban tomb no. 6 belonging to Nefer-hotep (I) and Neb-nefer – two important figures from Deir el Médîna who lived under the reigns of Horemheb and the first Ramessides – was only known through the drawings made by Henri Wild, which were published in 1979 (MIFAO 103/2). The Swiss Egyptologist worked until his death in 1983 on the text that was supposed to accompany these drawings, but the manuscript was never published. It was kept in the Archives and Collections Department of IFAO, and was “rediscovered” in 2011, during the reorganization of the department and the creation of a new inventory.
Therefore, Wild’s original text is published here for the first time, more than forty years after the publication of the drawings. It includes an architectural analysis, a detailed description of each of the walls, a translation of the texts, as well as studies on several documents relating to Nefer-hotep (I) and his son, Neb-nefer. In accordance with the researcher’s wishes, various plans of the tomb and numerous photographs – unpublished to date – complete his work.
This book, which is part of the long tradition of publishing the tombs of Deir el Médîna, sheds light on the architecture, decoration and owners of a tomb that has remained hidden for too long.
IFAO has made a series of works on Deir el-Medina available for free in its digital library:
<https://www.ifao.egnet.net/publications/edition-numerique/>
-- Jaroslav Černý, Catalogue des ostraca hiératiques non littéraires de Deir el-Médineh. Tome VII. (Nos 340 à 456)
-- Bernard Bruyère, Tombes thébaines de Deir el Médineh à décoration monochrome
-- Bernard Bruyère, La tombe N° 1 de Sen-Nedjem à Deir el-Médineh
-- Fahmy ʿAbd el-Wahab, La tombe N° 1 de Sen-Nedjem à Deir el-Médineh. Croquis de position
-- Jaroslav Černý, Répertoire onomastique de Deir el-Médineh T. I
-- Georges Posener, Catalogue des ostraca hiératiques littéraires de Deir el-Médineh. Tome II - n°s 1109 à 1167
-- Serge Sauneron, Catalogue des ostraca hiératiques non littéraires de Deir el-Médineh. [Tome VI]. (N° 550-623)
-- Dominique Valbelle, Ouchebtis de Deir El-Médineh
-- Dominique Valbelle, La Tombe de Hay à Deir El-Médineh (n° 267)
-- Jaroslav Černý, Papyrus hiératiques de Deir el-Médineh T. I
-- Henri Wild, La tombe de Néfer-Hotep (1) et Neb-Néfer à Deir el Médîna [no 6]. II. Planches
IFAO has made five more books on Deir el-Medina available online:
<https://www.ifao.egnet.net/publications/edition-numerique/>
-- Alain-Pierre Zivie, The Tomb of Pached at Deir El-Medineh (No. 3), MIFAO 99, 1979.
-- Bernard Bruyère, Mert Seger at Deir El-Médineh (2 files), MIFAO 58, 1929-1930.
-- Jacques Vandier, Tombs of Deir el-Medineh: the tomb of Nefer-Abou, MIFAO 69, 1935.
-- Charles Maystre, Tombs of Deir el-Médineh: the Tomb of Nebenmât (No. 219), MIFAO 71, 1936.
-- Jeanne Vandier d’Abbadie, Geneviève Jourdain, Two tombs of Deir el-Médineh, MIFAO 73, 1939
Online thesis : Irene Morfini, Necropolis journal : Daily Records of events in an Ancient Egyptian Artisans’ Community.
PhD thesis, Leiden Institute for Area Studies (LIAS), Faculty of Humanities, Leiden University, Leiden, 2019. - 266 pp. -
pdf-file (9.2 MB)
https://scholarlypublications.universiteitleiden.nl/handle/1887/68810
"In Egyptological literature, "Necropolis journals" are considered as records written on papyri and ostraca concerning the activities of the workmen or artisan community of Deir el-Medina in Thebes.
(...). The question has arisen as to whether indeed this was a specific genre of document. Is it correct to define such notes as journals? Would they be considered journals from an ancient Egyptian point of view?"
Note the additional four files for the "Appendix": "All the documents dated with certainty were then collected and investigated (together with photos, transcriptions and translations)." - 832 pp. -
4 pdf-files (110 MB)
New entry at the blog 'Papyrus Stories' of Dr Jenny Cromwell: "Death by Nile: Punishing Policemen at Deir el-Medina"
(Aug 23 2022)
https://papyrus-stories.com/2022/08/23/death-by-nile/
DEIR EL-MEDINA Through the Kaleidoscope
The Museo Egizio in Turin is pleased to announce the online publication of the conference proceedings:
DEIR EL-MEDINA Through the Kaleidoscope: Proceedings of the international workshop held at the Museo Egizio from the 8th to the 10th October 2018
The download of the extensive volume is possible online for free:
https://formazioneericerca.museoegizio.it/en/pubblicazioni/deir-el-medina-en
This volume is the outcome of a workshop held at the Museo Egizio from the 8th to the 10th October 2018. The international workshop “Deir el-Medina Through the Kaleidoscope” highlighted ongoing research focusing on the history of the archaeological excavations and recent field activities as well the study of written and non-written material culture. Museum collections, archives, material culture, philological and archaeological data are put in multidisciplinary dialogue with one another in an attempt to reconstruct the socio-economic history of Deir el-Medina.
PDF book
Format: File PDF
ISBN: 9788857018300
File size: 66,27 MB
Pages: 848
Photography Lenka Peacock 2024
What is ostrakon O.Turin 57431 telling us about schooling at Deir el-Medina?
Lenka Peacock
In January this year I spent two weeks in beautiful Turin, in northern Italy, visiting its rich collections, including those of the Egyptian Museum (Museo Egizio, more ME). Among the thousands of objects on display is an inconspicuous piece of limestone measuring just 16.5 x 7 cm and bearing rather faint hieratic signs. It is displayed in case no. 4 in the middle of Room 6, dedicated to the finds from Deir el-Medina. It was found during Ernesto Schiaparelli's excavations at the site between 1903 and 1906. It can be found under the numbers O.Turin 57431 = CGT 57431 or ME Inv. no. S9589.
Photography by Lenka Peacock 2023 © of Museo Egizio di Torino
However ordinary this piece of stone might appear to a passing visitor, it caught my full attention - the ostrakon contains a passage from the Instruction of Amenemhat I, one of the Middle Egyptian literary texts that were popular student exercises, but importantly it is the text that we have been translating in our latest GlyphStudy translation group (2022-2023).
A large proportion of the ostraka texts from Deir el-Medina consist of similar student exercises. Most of these were products of advanced schooling, and although there is a complete lack of written evidence of elementary schooling, the large corpus of
this type of advanced schooling is a major source of information for our understanding of the methodology of teaching at the site.
We know from circumstantial evidence that places associated with scribal activities, such as the House of Life (pr-anx) or the House of the Book (pr-mDAt), were associated with temples.
At the Ramesseum, several small mud-brick chambers with an attached forecourt were identified by the excavators as a school (a.t-sbA) because many ostraca, including literary ostraca, were found there (Jurjens, 2002). The existence of a building dedicated solely to schooling has not been attested at Deir el-Medina, although a building (K2) just outside the perimeter of the main settlement has been suggested as a possible site of a schoolroom on the basis of the discovery of numerous ostraka with pupils' exercises (Davies,2018,97). It has also been suggested that boys from the settlement may have attended classes at the Ramesseum, but it is more likely that teaching took place in the settlement and at other work sites (KV, QV, groups of stone huts at the top of the cliffs, etc.) in small groups by older workers, fathers, uncles and neighbours who were literate. Literacy in the settlement was much higher than in the general population.
The children of the necropolis workers were enrolled in their classes according to their abilities and physical maturity, probably between the ages of five and ten (Janssen,2007,60). The lack of elementary school exercises in the excavated material could mean that at this stage of schooling writing began on wooden tablets covered on both sides with gesso, on which the text could be easily erased. Once the schoolchildren had passed the beginner's stage, ostraka were used as writing material. It is believed that writing training began with hieratic, the writing of whole words or sentences. Short passages of composition were learnt during lessons by singing them until they were memorised. It is thought that the passages were then copied from the teacher's models, to be written later from memory. Dictation is rejected as a method because the exercises do not seem to contain errors that would result from mishearing (Janssen,2007,66).
O.Turin 57431 is dated to the 19th dynasty, approximately 1279-1213 B.C., the reign of Ramses II. Benedict Davies tentatively dated it to year 60 of Ramses II, based on the fact that the name of a Khaemwaset appears in the text of the ostrakon (Davies,1996,34).
In addition to the lines with hieratic inscriptions containing a passage from the Instruction of Amenemhat I, the ostrakon also contains a colophon. Colophons consist of one or more signatures of students and/or tutors at the end of the exercise. In the colophon of O.Turin 57431 the name of a woman named Henutnefret is mentioned, and some Egyptologists believe that the student copy was actually written by her (Donker van Heel,2016,22).
Below is a transcription of the hieratic text in the colophon by Kenneth Kitchen from his Ramesside Inscriptions: historical and biographical. Vol. 7:
Transcription from the hieroglyphic text by Lenka Peacock:
in sS-qd m st-mAat nbra
Hnwt-nfrt iry[t n]
Translation of the text by Lenka Peacock:
by professional draughtsman (lit. figure scribe) in the Place of Truth Nebre
Henutnefret made [by]
Nebre (i) was the "draftsman of Amun" who lived in Deir el-Medina during the 19th dynasty. He was one of the three sons of Pay, who was the patriarch of the most successful family dynasty of draughtsmen in the village during the first half of the Ramesside period (Davies,2018,233). Do we know who Henutnefret was? The name Henutnefer/Henutnefret is mentioned on a stela M.13829, dated to the reign of Ramses III and now in the Liverpool City Museum. The stela belongs to the "Servant of the Place of Truth" Khaemwaset, son of Wennefer (ii) and Mutemopet (i), who is mentioned with his wife Taweretherti. Also named are the 3 children of Khaemwaset and Taweretherti - his son Penamun (iv) and his daughters Henutnefret (i) and Mutemopet (i) (Davies,1996,34). It is accepted that Khaemwaset was active during the reign of Ramses II and thus the later dating of the stela must have been intended as a posthumous celebration of Khaemwaset (i) by his son Penamun (iv), in which case Henutnefret could be the women from the colophon of the ostrakon dated to the reign of Ramses II.
Henutnofret and Nebre would be the contemporaries. The colophon would show that Nebre (i) had been entrusted with her education. Does this suggest that girls were also taught to read and write in Deir el-Medina? We have circumstantial evidence that some women in the village were indeed literate. Some ostraca from there contain letters addressed to or sent by women, and several letters were even sent from one woman to another without the need for a scribe (Janssen,2007,71). Given the high level of literacy in the Deir el-Medina community, it seems likely that some women were educated and that girls may have been educated.
So was this "ordinary" looking object really ordinary? Absolutely not! Behind every object, even the most humble looking, there is a fascinating story that can open up a whole new world!
Bibliography:
1. Davies, Benedict G..: Life within the Five Walls : A Handbook to Deir el-Medina.
Wallasey : Abercromby Press, 2018.
2. Davies, Benedict G.: Who's who at Deir el-Medina : a prosopographic study of the royal workmen's community
Leiden : Nederlands Instituut voor Her Nabije Oosten, 1999
3. Davis, Benedict G.: Genealogies and personality characteristics of the workmen in the Deir el-Medina community during the Ramesside period. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor of Philosophy
Liverpool : University of Liverpool, February 1996.
4. Donker van Heel, K.: Mrs. Naunakhte & Family : The Women of Ramesside Deir el-Medina.
Cairo : The American University of Cairo Press, 2016.
5. Janssen, J. and Janssen, R.M.: Growing up and Getting old in Ancient Egypt.
London : Golden House Publications, 2007.
6. Kitchen, Kenneth A.: Ramesside Inscriptions: historical and biographical. Vol. 7, Oxford 1989, p. 201
7. Mc.Dowell, A.G.: Village Life in Ancient Egypt : Laundry Lists and Love Songs.
Oxford : Oxford University Press, 1999.
8. Hieroglyphs unlocking Ancient Egypt / edited by Ilona Regulski.
London : The British Museum, 2022.
10. Jurjens, Judith: An Unpublished Manuscript of the Teaching of Khety (P. Turin CGT 54019) In : Rivista del Museo Egizio 5(2021)
Museo Egizio, Via Accademia delle Scienze 6, 10123, Torino
“Nel laboratorio dello studioso” [In the Researcher’s Workshop]
26 April 2021 – 31 December 2023
Current theme in the exhibition cycle is "Sedersi allegramente davanti al dio: le cappelle votive di Deir el-Medina" [Sitting merrily in front of the god: the votive chapels of Deir el-Medina], 13 January 2023 - 19 March 2023.
Information: (Italian and English)
https://museoegizio.it/esplora/notizie/sedersi-allegramente-davanti-al-dio-le-cappelle-votive-di-deir-el-medina/
https://museoegizio.it/en/explore/news/sitting-merrily-in-front-of-the-god-the-votive-chapels-of-deir-el-medina/
"The focus of the exhibition are votive seats with inscriptions dated between 1292-1070 BCE, their presence has only been documented in Egypt in the chapels of Deir el-Medina and Amarna. It is precisely the inscriptions that have enabled scholars to trace the rituals practised in votive chapels, presumably by families or small guilds."
Italian press report at
https://www.torinoggi.it/2023/01/13/leggi-notizia/argomenti/cultura-4/articolo/museo-egizio-nel-laboratorio-dello-studioso-alla-scoperta-delle-cappelle-votive-di-deir-el-medin.html
Photography Lenka Peacock 2023© of Museo Egizio di Torino
“Literacy in Deir el-Medina: Signs, Marks and Tallies” Daniel Soliman
Other People's Tales on Write ups of Egypt related talks and trips by Margaret, December 16, 2022
In December 2022 Dr Daniel Soliman spoke to the Essex Egyptology Group via Zoom about his work on literacy at Deir el-Medina, a topic which he told them was very dear to him. He has mostly been using ostraca to investigate the topic – there are many that are marked with signs and tally marks rather than the hieroglyphs and other scripts that people are more familiar with.
"I creatori dell’Egitto eterno" [The creators of eternal Egypt], Basilica Palladiana
Piazza Dei Signori, 36100 Vicenza
22 December 2022 - 7 May 2023
The event has been described by a number of art critics as one of the most important shows on ancient Egypt ever organized at an international level. A total of 180 original pieces will be on display, including 160 from the permanent collection of Turin's Egyptian Museum and 20 from the Louvre in Paris, including statues, sarcophagi, papyri, bas reliefs, painted and sculpted stelae, amphorae, amulets and musical instruments that provide an insight into the daily lives of Deir el-Medina residents. Many objects, including baskets and spatulas were used every day. Interesting artifacts on display include numerous ostraka, fragments of pottery or stone used by Egyptians to write and draw on. The texts available include administrative and financial documents, religious and literary writings, love poems and private letters. More intimate drawings are also on display, including an ostrakon representing a mother breastfeeding her baby and two women putting on jewellery inside a room.
https://www.ansamed.info/ansamed/en/news/nations/italy/2022/12/22/vicenza-exhibit-to-showcase-the-creators-of-eternal-egypt_cb5914f1-0e87-4fcf-b3e7-7f6e10996fa7.html
Sic parvis magna: reconstructing papyri from Deir el-Medina kept in the Museo Egizio - guest speaker Renaud Pietri
Around 12 000 fragments of papyri, likely discovered in the village of Deir el-Medina, near the ancient city of Thebes, and dating back to the Ramesside Period (ca. 1295-1069 BC), are kept in the Museo Egizio. Those fragments belong to larger documents, that are often partially lost and therefore can be described as “lacunary puzzles”, for which a long and patient work of reconstruction is needed. In the framework of the international project “Crossing Boundaries: Understanding Complex Scribal Practices in Ancient Egypt”, it has been possible to find new joins among those fragments, and hence to improve the reconstruction of several already known documents, or to identify new ones. This conference presents some results of this reconstruction work through several case studie.
Lecture November 10, 2022 now available on YouTube at
https://www.youtube.com/watch?v=WsnHEiBArC4
Of Ink and Clay: Tattooed Mummified Human Remains and Female Figurines from Deir el-Medina by Anne Austin and Marie-Lys Arnette
This article offers the first publication of the mummified remains of two tattooed women in conjunction with three unpublished figurines with tattoo motifs from Deir el-Medina. Several recurrent motifs are shared between these women and the figurines, including the use of Bes-images, Nilotic elements, and points at the neck. These themes also appear in previously published tattooed figurines, so-called cosmetic spoons, and paintings. In some cases, the figurines and the women even share the same location of the tattoos on their body, suggesting that the combined location and tattoo motifs are integral to their function and/or meaning. Through linking tattooing on human remains with figurines, our work evaluates when we can interpret markings on figurines as tattooing while also exploring potential explanations for the tattoo motifs. To do so, we connect these new examples with texts and material culture that would have been accessible to the people of Deir el-Medina.
Journal of Egyptian Archaeology, Volume 108, Issue 1-2, Research article, free access
First published online October 7, 2022
https://journals.sagepub.com/doi/full/10.1177/03075133221130089
Textiles from Deir el-Medina: First Survey and First Observations by Amandine Merat
The Manchester Ancient Egypt Society January Zoom lecture
Zoom meeting with Amandine Merat exploring the rare textiles found in Tomb 298 in the worker's village of Deir el-Medina.
During the period 18th - 26th January 2022, the textiles found in the Theban Tomb of Baki (TT298, reign of Sety I) at Deir el-Medinah were studied. The objectives of this first study season were to get an overview and a better understanding of the material discovered in the tomb, its condition, amount and nature, and to make a start with the analyses of a few samples, as part of the preparation of the overall study to take place in the following seasons. Despite a limited time on-site, great discoveries and observations were already made during this first survey, the results of which will be presented here.
Amandine Merat is an Archaeologist and Researcher in Egyptology, with a specialisation in ancient and archaeological textiles. She worked as a curator at the Louvre Museum, the Bode Museum (Berlin) and the British Museum. Now an independent scholar, she works as a textile specialist on varied projects and archaeological sites in Egypt. In January 2022, she joined the IFAO Deir el-Medina team to undertake the study of the textiles found in TT298 (Tomb of Baki).
Mon, 9 January 2023, 19:30 – 21:30 GMT
https://www.eventbrite.co.uk/e/maes-january-amandine-merat-textiles-from-deir-el-medina-tickets-470945178707
A Deir el-Medina scribe/painter and his hieroglyphs," by Dr. Elizabeth Bettles (Leiden University)
Egyptology Scotland, an Online (Zoom) Ian Mathieson Memorial Lecture.
During this talk the speaker will be introducing a scribe/painter who lived in the workmen’s village of Deir el-Medina.
By studying the individual hieroglyphs in the superbly decorated underground chambers of the Chief Workman Anhurkhawy (TT 359), it is possible to see how variable the shapes of Nebnefer’s signs could be according to where in the tomb he was painting and what texts he was writing; how some of his hieroglyphs show unusual creativity; what spelling mistakes he could make and how he corrected them; and how his hieroglyphs show that he possessed a knowledge of the hieratic as well
as the hieroglyphic script. Interestingly he may also have manipulated the format of the texts for his own purposes as a means of self-presentation within this funerary monument of the Chief Workman.
By studying in detail his handwriting style, it is possible to contemplate behaviour patterns and conscious thought-processes made by a painter of hieroglyphs who lived in pharaonic Egypt over 3000 years ago.
Dr Elizabeth Bettles followed a degree in Egyptology and Coptic at Liverpool University. In 1989 she joined the Oxford Expedition to Egypt team as their epigrapher drawing facsimiles of reliefs in Old Kingdommastabas at Saqqara in the tomb of the vizier Kagemni. Since that year she has hardly missed a season working archaeologically in Egypt. In 1994, while doing an MA at University College London, she joined Ian Mathieson’s team as site supervisor for his ground-penetrating survey work at Saqqara, which continued for several seasons around the Gisr el-Mudir and remains of Late Period temples. She has been a member of the British Museum team in the Dongola region of the Sudan working as a surveyor. She has studied ceramics for several teams, working with the EES team at Saqqara, the German Institute at Buto, and Berkeley University at Tell Muqdam in the Delta and Tell el-Hiba in Middle Egypt. After her PhD at UCL, she returned to her epigraphic work recording wall-paintings in a Roman-period mammisi in the Dakhleh oasis, with a Dutch team from Leiden University. From 2018 she has been a Visiting Research Fellow at Leiden University with a project which characterises and identifies different hieroglyphic handwriting styles in texts painted in the royal workmen’s tombs at Deir el-Medina at Luxor.
Saturday, 10th December 2022; 14:00 GMT
costs: £5 members; £7 non-members
chairegyptscot@gmail.com
info: abstract and tickets at
https://www.eventbrite.co.uk/e/ian-mathieson-memorial-lecture-a-deir-el-medina-scribepainter-tickets-417316343417?aff=ebdsoporgprofile
“Literacy in Deir el-Medina: signs, marks and tallies” Dr Daniel Soliman, 4th December 2022
The New Kingdom community of royal necropolis workmen housed at Deir el-Medina are well-known for the numerous texts they produced and kept. These texts vary in nature from literary to documentary with everything in between. Studies have shown that there were several trained and professional scribes at Deir el-Medina, indicating that literacy rate was high for a pre-modern community. But how do we define literacy? There is ample evidence from Deir el-Medina and the Theban royal necropolis for a local spectrum of male literacy. Some workmen were proficient hieratic scribes, while others may have been able to only write their own name. Besides textual evidence, there is a modest body of documents composed with identity marks, self-invented signs, drawings and tally marks. They suggest that local scribes inspired untrained hands to venture into the domain of non-textual notation systems, simultaneously borrowing from scribal practices and creating new ones.
Dr Daniel Soliman is the Curator of the Egyptian Collections at the Rijksmuseum van Oudheden, Leiden, Netherlands.
This talk will be given at the December 2022 meeting of the Essex Egyptology Group which will be held on 4th December online via Zoom – attendance is free for members and £4 for non-members. Tickets for non-members are available to book from 14th November to 2rd December via the contact form on this page.
Dr Deborah Sweeney: "Gender and Religious Practice at the royal tomb-builders’ village of Deir el-Medîna
If you had lived in the royal tomb-builders’ village of Deir el-Medina, sometime between 1500 and 1070 BCE, how would your gender (and other factors, such as your social standing, age and family connections) have affected your religious practices? This lecture will discuss the religious activities of the tomb-builders and their families from birth to death, offering some answers to these questions. It will trace the influence of divine prototypes and existing social structures on gendered religious practice, but also outline areas where religious practices may have been more open-ended and not necessarily gendered.
Egyptology Seminars LAOP - 2022
Rescheduled for Monday December the 12th, at 10 am (Brasil time), 1 pm UK time
Registration:
https://docs.google.com/forms/d/e/1FAIpQLScMx7x5JWycN4bv7RcctBclqXPH-81Zs2gEU7q_Gh6X6n60xA/viewform
Biography:
Deborah Sweeney is Senior Lecturer in Egyptology, Department of Archaeology and Ancient Near Eastern Cultures, Tel Aviv University, Israel.
Magazine menagerie: the latest research on animals in Deir el-Medina
HEKA-lecture by Audrey Crabbé
From the start of the habitation at the end of the 16th century BC until today animals have always been present alongside human activities at the archaeological site of Deir el-Medina. Most information on animals in the New Kingdom workmen’s village has derived from the extensive records and iconographic representations of animals in the beautifully decorated tombs and figurative ostraca.
During the inventory mission of the French Institute for Oriental Archaeology (IFAO) in 2020 and 2022, two magazines at the site storing objects from the excavations of Bernard Bruyère (1922-1951) were accessed for the first time since their closure in 1955. Inside of these magazines, approximately a thousand clay animal figurines and a small amount of animal bones were re-discovered and partially recorded. Additionally, during the 2022 mission, 140 stone animal figurines and statues from Deir el-Medina, stored in the Carter Magazine near the site, were inventoried. During this HEKA lecture, I will present the current state of research on the archaeozoological material as well as the clay and stone animal figurines and statues to offer more insights on the role that animals played in the community of Deir el-Medina.
Time: October 10, 2022 05:00 PM in Amsterdam
Meeting registration:
https://universiteitleiden.zoom.us/meeting/register/u5Uud-6vrTsvGdRioT6EKYcBsWAVV9XszxQS
Latest news from Deir el-Medina
Several tombs are being cleaned, conserved and documented at Deir el-Medina, under the overall direction of C. Larcher. These include the Tomb of Ipy (TT217) and the Tomb of Inherkau (TT359).
The work at TT217 is under the direction of K. Gabler and is in its initial stages of tomb clearance. The initial work has revealed pottery, human remains, fragments of coffins and other funerary equipment. These are all being studied by specialists.
E. Bettles, directing the work in TT359, is close to completing her epigraphic study of the tomb. She is focusing on identifying the hands of different artists who decorated this and other tombs at Deir el-Medina and in the Theban necropolis.
Source: KMT : A Modern Journal of Ancient Egypt, Vol. 33, Number 2, Summer 2022, p. 8.
Ancient smells reveal secrets of Egyptian tomb
"More than 3,400 years after two ancient Egyptians were laid to rest [in the tomb of Kha and Merit in Deir el-Medina], the jars of food left to nourish their eternal souls still smell sweet. A team of analytical chemists and archaeologists has analysed these scents to help identify the jars’ contents. (..) Degano and her colleagues placed various artefacts — including sealed jars and open cups laden with the rotten remains of ancient food — inside plastic bags for several days to collect some of the volatile molecules they still release. Then the team used a mass spectrometer to identify the components of the aromas from each sample. They found aldehydes and long-chain hydrocarbons, indicative of beeswax; trimethylamine, associated with dried fish; and other aldehydes common in fruits. “Two-thirds of the objects gave some results,” Degano says. (..) The findings will feed into a larger project to re-analyse the tomb’s contents and produce a more comprehensive picture of burial customs for non-royals that existed when Kha and Merit died."
https://www.nature.com/articles/d41586-022-00903-z
The original research article [only the abstract is for free]: Jacopo La Nasa et al., "Archaeology of the invisible: The scent of Kha and Merit", IN: Journal of Archaeological Science, vol. 141 (May 2022)
https://www.sciencedirect.com/science/article/abs/pii/S0305440322000358?via%3Dihub
See also: Barbara Huber et al., "How to use modern science to reconstruct ancient scents", IN: Nature Human Behaviour (2022), published online 28 March 2022
https://www.nature.com/articles/s41562-022-01325-7
"Olfaction has profoundly shaped human experience and behaviour from the deep past through to the present day. Advanced biomolecular and ‘omics’ sciences enable more direct insights into past scents, offering new options to explore critical aspects of ancient society and lifeways as well as the historical meanings of smell."
English version: "Smells like Ancient Society: Scientists Find Ways to Study and Reconstruct Past Scents"
https://www.shh.mpg.de/2146681/ancient-smells
Press release of the University of Pisa: "Rivelato il contenuto di vasi e anfore della tomba di Kha e Merit al Museo Egizio di Torino"
https://www.unipi.it/index.php/news/item/23328-rivelato-il-contenuto-di-vasi-e-anfore-della-tomba-di-kha-e-merit-al-museo-egizio-di-torino
Italian press reports: https://www.meteoweb.eu/2022/03/svelato-il-contenuto-di-vasi-e-anfore-della-tomba-di-kha-e-merit/1780288/
https://mediterraneoantico.it/articoli/egitto-vicino-oriente/egittologia-antico-egitto/pisa-metodo-olfattivo-per-scoprire-il-contenuto-di-vasi-egizi-di-3500-anni-fa/
The Book of the Dead of Baki and the funerary tradition at Deir el-Medina
A manuscript shattered into thousands of pieces, reconstructed thanks to the synergy between Egyptologists and restorers, reveals new aspects of the funerary tradition at Deir el-Medina at the dawn of the Ramesside age. This Book of the Dead, created for the scribe Baki, overseer of the construction works of the tomb of Seti I in the Valley of the Kings, anticipates textual and iconographic elements that inspired the work of local artists and reached their maximum expression in the decoration of the queen Nefertari's tomb.
Dr Sara Maria Demichelis and Dr Elisa Fiore Marochetti will guide us to discover this important papyrus and the funerary tradition of Deir el-Medina on Wednesday 25 May 2022 at 6.00 pm at the Conference Room of the Egyptian Museum, Turin.
The conference was streamed on YouTube channel - https://www.youtube.com/watch?v=eWnRCCHzcI8
A new publication on Deir el-Medina released
Guillemette Andreu-Lanoë, Dominique Valbelle : Guide de Deir el-Médina.
(GIFAO, 1). IFAO, 2022. 184 pp. ISBN 9782724708066. EUR 19. In French.
TOC at https://www.ifao.egnet.net/publications/catalogue/9782724708066/
"(..) Walking around the site of Deir el-Medina and studying the paintings that adorn the walls of the rock tombs, the visitor will get to know the spirit of its occupants, their earthly ambitions, the religious and funerary universe of their conception
of the afterlife and also the feasts of the multiple deities who composed the local pantheon. Coming upon the temple, built in the Ptolemaic period, comes as a perfect ending to this archaeological walk."
Manchester Ancient Egypt Society
Online Study Day (Zoom): "The Deir el-Medina Community – New Evidence from Human Remains", with Rosalie David and Roger Forshaw
Saturday 26 March 2022; 9:30 am – 4:30 pm BST (10:30 – 17:30 CET)
costs: £30 for MAES members, £40 for guests
info: abstract and booking at
https://maesweb.org.uk/study-days/
https://www.eventbrite.co.uk/e/maes-march-study-day-rosalie-david-et-al-the-deir-el-medina-community-tickets-260148781007?aff=ebdsoporgprofile
The Museo Egizio Photographic Archive
The Museo Egizio of Turin is pleased to announce that the website Archivio Fotografico Museo Egizio
<https://archiviofotografico.museoegizio.it/en/>
is now online. The website contains more than 1500 photographs taken during the Museo Egizio's archaeological excavations in Egypt between 1903 and 1937.
The photographs have been organised according to the provenance of the subjects represented, offering an overview of the excavations carried out by the Italian Archaeological Mission, and also showing sites, and tombs, photographed for study or pleasure.
The access to the website does not require registration, and the images can be downloaded and used without payment, following to the CC0 attribution.
The photographic archive of Deir el-Medina images is available at
https://archiviofotografico.museoegizio.it/en/archive/theban-region/deir-el-medina/
From the Basement to the Archaeological Fieldwork :
Rediscovering Deir el-Medina Woodcraft from a Comprehensive Study
Speaker: Dr. Gersande Eschenbrenner Diemer
The French Institute of Oriental Archeology in Cairo (IFAO) houses an important collection of objects in its basement, the majority of which are the result of excavations from the early 20th century. The study of this exceptional collection is now being resumed by various specialists whose quest is to create an inventory, document and publish this unique collection. Initially carried out as part of the PERCEA Bois collaboration project between 2017 and 2018, the complete study of this group of objects is now being carried out as part of the EBENES project, which brings together several international research institutes, archaeological missions and wood materials specialists.
During her lecture, Dr. Gersande Eschenbrenner Diemer will accompany us to the Deir el-Medina site, where the wooden materials rediscovered in the IFAO store rooms and in the field are analyzed thanks to the work of a team of six Egyptologists (in close collaboration with the IFAO and the Egyptian Museum Turin) who are trying to bring more light into the research of a little-understood topic: that of wood in the New Kingdom.
EVENT IN THE CONFERENCE ROOM - Tuesday 30 November at 18.00
Free admission subject to availability.
Live streaming on the Museum's Facebook page and YouTube channel.
IN ENGLISH
https://www.youtube.com/watch?v=F0Y9Go0kdpA&t=374s
Creating a 3D model of the temple of Hathor at Deir el-Medina - Bettles, E.A. (Elizabeth)
November 2021
This is a clarion-call for all those who value:
a) Comprehensive visual documentation of ancient Egyptian temples.
b) The use of 3D digitisation techniques to record features of monumental architecture and painted reliefs.
A project is underway to create a 3D virtual tour of the Ptolemaic temple of Hathor at Deir el-Medina on the West Bank of Luxor. This temple is small (relatively speaking when compared to later temples such as Edfu and Dendera) and has exceptionally well-preserved architecture. Its stunning painted reliefs include scenes unusual for a cultic monument.
Virtual tours of pharaonic tombs, for instance as noted in the tomb of Seti I, have the benefit of letting people feel they are visiting the tomb while they are actually in their own home. But for Egyptology, 3D virtual documentation is much more than that. Such a model for the temple of Hathor would play a crucial role in producing a detailed record of the appearance of the monument as it looks today. It is an essential means of preserving for posterity the features of its rooms and ceilings, its floors and its twisting stairway leading onto the roof.
It would record the superb carving and painting of its decorative schema, its numerous graffiti in the initial court, written over a period of thousands of years, and the unusual marks on doorjambs where priests smeared oil as part of their temple rituals.
This description is of how this cultic monument looks at the moment. All monuments in Deir el-Medina are under threat. They sit in a valley which geological analysis has shown is prone to flash-flooding, where the surrounding rock is highly friable and where minor earthquakes occur.
Funding is needed to conduct this vital documentation of an Egyptian cultic monument to take place. If you value such a project, then please help it to take place through our crowd-funding effort.
Go to <https://www.ulule.com/deir_el_medina/>
With thanks
Elizabeth Bettles, on behalf of the international members of the Deir el-Medina mission.
The Museo Egizio’s current research at Deir El-Medina – Cédric Gobeil
On Thursday June 17th 2021 at 6pm the Museo Egizio will host the online conference "The Museo Egizio’s current research at Deir El-Medina", held by the museum's curator Cédric Gobeil.
Cédric Gobeil is a Canadian and French Egyptologist born in Quebec City (Canada), specializing in archaeology of daily life and New Kingdom material culture, with a primary focus on Deir el-Medina, topics for which he is carrying annual fieldwork in Egypt and Sudan. After having obtained his PhD in France (Université Paris IV-Sorbonne), he worked in Egypt for the Institut français d’archéologie orientale du Caire and in the United Kingdom for the Egypt Exploration Society, before being appointed curator at the Museo Egizio in Turin in 2019. In addition to his curatorial duties, he is also adjunct professor in the History Department at the Université du Québec à Montréal and research associate at the HiSoMA Research Unit in Lyon (CNRS).
The event will be held in English and it will be broadcast via streaming on the Museum's Facebook page and Youtube channel.
The lecture is now available at https://www.youtube.com/watch?v=6BlGdac5NA8
Glenn Godenho - organiser of Liverpool Egyptology Seminars - presents:
"In the footsteps of Ernesto Schiaparelli : The Museo Egizio’s current research at Deir El-Medina" by Cédric Gobeil (Museo Egizio, Turin)
An on-line event on Thursday, 20th of May 2021, 17:00 BST
Within the framework of the French Archaeological mission at Deir el-Medina carried by the IFAO, the Museo Egizio of Turin is conducting research on a few Ramesside tombs located in the Western necropolis. These tombs have been chosen based on many artifacts that belonged to the owners of these tombs and are now kept in the museum. In addition to giving the opportunity to perform a study on these fragile structures using new technologies, this fieldwork is a unique chance to recontextualize many objects of the museum’s collection by shedding a new and fresh light on them. This talk will be the opportunity to get a first glimpse at this work in progress.
Register at
An Italian online article by Alessandro Rolle entitled "Il villaggio operaio di Deir el-Medina" published at Mediterraneo Antico on March 23rd 2021 is now available in my English translation below. The original text can be read at
https://mediterraneoantico.it/articoli/il-villaggio-operaio-di-deir-el-medina/
The workers' village of Deir el-Medina : The organization of work: the scribes of the tomb
In the previous study, the tomb guards and the doorkeepers were outlined, using the large amount of documents relating to these categories of workers. We will now try to analyse the functions and work of one of the most important figures in the working community: the tomb scribe. In ancient Egypt, the rate of schooling was very low: in the community of Deir el-Medina, where there were figures with a high degree of specialisation, it reached about 7% in the Ramesside period. Obviously, there was a real school where students studied and learned to read and write: there is a famous Egyptian proverb that puts the student's ear on his back! However, the community of the village was an exception for the Egyptian society of the time and, apart from Pa Demi, the literacy rate in the New Kingdom can be attested at 3-4% and then regressed in the Late Period. Because of his ability to read and write, the scribe played a very important role in the management of the tomb and the administration in general: he was in close contact with the highest authorities and was directly controlled by the vizier himself. The Egyptians themselves generally attributed a prominent role to this profession, so much so that there are statuary and parietal attestations of persons depicted as scribes, although not actually exercising the profession, in the act of reading or writing a document. Emblematic in this sense is what we read in the literary text "The Satire of the Trades", in which the figure of the scribe is particularly praised.One of the tasks of the tomb scribe was to make sure that all the workers were present, by noting their absences and the reasons for them on ostraca and papyrus sheets.A copy of these notes was then sent to the Vizier's office. The Egyptian Museum in Turin has some of these papyri, known as the "Journal of the Necropolis". The number of scribes present in the team according to Černý is two, one for the right side and one for the left side, with the presence of four scribes of the tomb in the eighth year of the reign of Ramses XI, there was also one for each side of the servants attached to the team (Bibl.1).
The Egyptologist Valbelle disagrees with Černý and believes that there was only one scribe for both sides until the reign of Ramses XI, when there were two. To create this different vision is a matter of nomenclature, with the presence of other scribes with different functions, but still called sS. It is now generally accepted by most scholars that there was only one scribe for most of the history of Deir el-Medina: in this sense, for example, the ostrakon Berlin P 12654, in which we read pA sS in the singular. Thanks to the numerous documents found, we know the names of a considerable number of scribes, but only a few of them have the title:"Scribe of the Tomb" in hieratic or "Scribe of the Seat of Truth" in hieroglyphic inscriptions. Those who are not mentioned with the appropriate title are most likely to have come from other administrations and only had sporadic contact with the team. In some documents the scribe is referred to by the simple title sS, in others it is sS-qdwt.
As with the foremen, whom we will see later in this study, the inheritance of the office was also tacitly accepted for the scribes, although this custom was not followed to the letter. In fact, if the study of the documents revealed the existence of a family with six generations of scribes (Amennakhe, Harshire, Khaemhedje, Dhutmose, Butehamun and Ankkefenamun), we also know of at least three cases of scribes whose father was not a scribe, two of whom did not belong to the village. In addition to recording the absences of the workmen and foremen and the reasons for these absences, it was their job to record everything that happened on the tomb site. For example, during the strikes of Ramses III in year 29, the scribes not only described the episodes in detail, but also tried to solve the problem in some way, just as our modern trade unionists do. Together with the foremen, who, although hierarchically superior to them, can be regarded as their equals, they supervised the daily distribution to the workers of the tools of the trade, the storage of which in the warehouses located to the north of the village was considered the primary responsibility of the scribes, so much so that they often gave themselves the pompous title of "keeper of the treasury at the Seat of Truth". They also monitored the correct distribution of wages, which were paid in kind in the form of rations of bread and barley for the production of beer. In moments of crisis, which led to the series of strikes that we will analyse in a forthcoming issue, they finally took care of the provision of wages, as can be seen, for example, in the Turin Papyrus, cat. 1895. They were part of the court of the artisans' guild, and in the simplest cases, such as the division of an estate between heirs, they were able to resolve the issue immediately. Because they were highly educated, they probably wrote letters or documents of various kinds (disputes, inheritances or inscriptions on funerary objects) for the inhabitants of the village for a fee. In addition, as high officials, they attended the village court, were witnesses of oaths and interpreted the oracles of Amenhotep I during the village processions by writing down the questions asked at the foot of the statue of the divine ruler. Although there are many documents bearing the names of scribes, with a few dozen names currently known, the information about them is sparse for almost all of them.
Below is a list of the known scribes with some brief biographical notes.
iw f n Imn - Iuefimen His name is found in the Turin Papyrus, catalogue 2018 A: he was the scribe of the left side of the tomb servants in the years 8 and 9 of Ramses XI. From Papiro Torino cat. 2075 we know that in year 19, probably of Ramses IX, he received fish from three fishermen from the left side of the tomb. He is also mentioned in a letter dating from the reign of Ramses XI, in which he is ordered to go with a gatekeeper to try to persuade a reluctant fisherman to bring wheat for the workers.
iw f n xnsw - Iuefenkhons (?) 2. Only mentioned in the Turin papyrus cat. 2021, together with the scribe Dhutmose, as a witness to a marriage in the late 20th dynasty. We have no further news about him.
Imn m ipt - Amenemope Active scribe in the years 35 and 37 of Ramesses II. We also find him with the title "Scribe in the Seat of Truth" and he is the owner of the tomb TT215 at Deir el-Medina, where he is also mentioned with the title "Team Leader in the Place of Eternity". Several other monuments belong to him: an architrave (Turin 1516), three door jambs (Turin Suppl. 9508, Turin 1517 and one from the Bruyere excavations), an offering table from the same excavations, a group of statues (Berlin 6910), a relief (Cairo J. 43591), a graffiti from the Valley of the Kings, now in the Metropolitan of New York, and perhaps the stele Torino 6137, where he is described as "Royal Scribe in the Great Seat". This is one of the scribes whose genealogy we know thanks to the discovery of the tomb: Amenemope was the son of Nakht, depicted in the statuary group of Berlin and in the jamb of Turin of 1517, and of Nofretite, also present in Berlin. He married Hathor, known as Hol, depicted in tomb TT215 and also in the Berlin group and the 1517 doorjamb. The couple had two sons: Minmose, depicted in the doorway of 1517, and Amenemope. Also from the Berlin group, a source of much information, we know that his father was "Priest of Amun, Lord of the Thrones of the two Lands of Kush". In the statuary group we also read that Amenemope used the title "Priest and Scribe of Amon, Lord of the Thrones of the two Lands of Kush". Given that this is a temple in Nubia, it is plausible that Amenemope was not born in the community of the workers.
Imn m ipt - Amenemope In the Ostraca Cairo 280, IFAO 1319, Berlin 12641 and DM 45 he is referred to as “Scribe of the Tomb”. Active in years 1 and 2 of Ramesses IV, he is also mentioned simply as a scribe. He was probably the son of the scribe Minmose, the owner of the tomb TT335.
Imn nxt sA ipwy - Amennakhte son of Ipuy. Tomb scribe of the sixteenth year of Ramesses III: founder of a family of six generations of scribes.
Imn nxt sA pntAwr - Amennakhte son of Pentaur. Scribe. We know of him only from a document dated in the twentieth year of Ramesses III, where he is mentioned together with Amennakhte, son of Ipuy.
Imn nxt - Amennakhte Scribe. His name appears on the Abbott Papyrus in the sixteenth year of Ramesses IX. Of uncertain identification he could be Amennakhte son of Amenhotep, a scribe active in the seventeenth year of Ramesses IX, a character we find in the Necropolis journal.
pwnS - Amennakhte called Punsh. Son of Hay. We find him referred to mainly as a scribe and once as a royal scribe. There is also another Amennakhte, apparently a very common name. However, this figure is not a scribe, but a simple labourer during the reign of Ramesses IV, as we read in Ostrakon DM 41. Probably during a break in his work he copied a passage from the "Dream Book", which is present in the Chester Beatty III papyrus, and at the end of the copying he added his title and his name: Amennakhte, son of Khaemnun. The interesting thing about this character is that although he was not a scribe, he was able to read and write.
ImnHtp - Amenhotep We find him attested with the title of "Scribe of the Tomb", active during the reign of Ramesses IV and his successors. In addition, there are some papyri and ostraka, unfortunately of uncertain dating, in which he appears: from the Ostrakon Cairo 247 we know that he received lapis lazuli for painting.
ImnHtp - Amenhotep Scribe. Active at the end of the XX dynasty: apart from his name, no other details are known.
Imnxa - Amenkha From Ostrakon DM 38 we know that he was employed as the scribe of the tomb in the thirty-second year of the reign of Ramesses III, a few days before the death of the same king.
Inpw m HAb - Inpuemhab He is always referred to with the simple title of Scribe. However, given that he served from the sixty-sixth year of Ramesses II until at least the eighth year of Merenptah, it is almost certain that he also held the title of Scribe of the Tomb. As he was the only scribe to bear this name, he can almost certainly be identified with the owner of the tomb TT 206, which was unfortunately badly damaged, and in which a wooden shabty was found, now in Oxford, bearing the name of the owner.
anxa - Ankha Scribe in the Seat of Truth. Known thanks to the tomb TT335 of his father, the "Stonemason of the Lord of the Two Lands in the Seat of Truth" Nakhtamun. We find him in the first half of the reign of Ramesses II. We have a letter from him asking his son Nubemshas to send bread for the "boys". Unfortunately, we don't know who these boys are.
anx f - Ankhef This character represents the title written in three different ways: Scribe, Scribe of the Tomb and Scribe in the Seat of Truth. His father, Butehamon, was also a scribe.
axpt - Akhpe (t). Tomb scribe and scribe. Active in the years 17 and 18 of Ramesses III. We find him again in the year 21 of the same king.
wnnfr - Unnefer Always referred to only as a scribe. From Ostrakon DM 339 we know that his house was within the village. He was an active member of the workers' court and interpreted oracles when the statue of Amenhotep I was carried in procession. His name appears among the absentees from work in the Valley of the Queens. He worked between the eleventh and twenty-fourth year of Ramesses III.
wnnfr sa anxt (w) - Unnefer son of Ankhet Scribe of the right side of the tomb in the years eight and nine of Ramesses III.
bAy - Bay Royal Scribe of the Seat of Truth. His name is found in some graffiti, which unfortunately cannot be dated. Two ostraca refer to a scribe with the same name: it is probably the same person, but with two different titles. From the study of these two documents, it is possible to assume that Bay was active during the reign of Sethi II or Merenptah-Siptah.
bknmwt - Bekinmut Scribe of the Seat of Truth. We find his name in a graffiti in the Royal Cachette, the tomb of the priest of Amon Pinudjem II, dated to the tenth year of Siamun's reign. He is currently the last known scribe of the tomb.
bwthimn - Butehamon Son of Dhutmose, we find him with the titles of "Scribe of the Tomb" and "Scribe of the Seat of Truth".
pAy - Pay Scribe of the Seat of Truth. His name, present only on a palette now in the Louvre, does not allow us to date this figure either to the nineteenth or to the twentieth dynasty.
pry - Peroy This is an obscure figure: his name, with the title of Scribe of the Seat of Truth, is found on a stele from the University of Cambridge. The strangeness comes from the style of this stele, which is not entirely compatible with the monuments from Deir el-Medina.
pwr sA dHwty m HAb - Puer son of Dhutemhab Scribe of the right side of the team in the eight and nine years of Ramesses XI, he was also active in the reign of his successor.
pnfrmdjed - Peneferemdjed His name is found in numerous graffiti and he is referred to by various titles: scribe of the tomb, scribe, royal scribe and even scribe of the treasury. Thanks to the discovery of two stelae (Bibl.3) we know that he was the son of Amennakhte, son of Ipuy. He practised the profession of scribe in a third year, without being able to link him to a particular ruler.
pxrw - Pekheru Scribe of the Seat of Truth. The ruler under whom he served is unknown: given the prevalence of the name in the 20th dynasty, it is plausible that he lived in that period.
pAxy - Pakhy Known as Scribe of the Tomb, Scribe of the Seat of Truth, and simply Scribe. The only information about him is that he was the son of the scribe Butehamon.
pAsr - Paser In documents he is always referred to by the simple title of Scribe. He was a very important figure: he was present at the distribution of the grain rations, which he measured. He was also a member of the village court. From Ostrakon Berlin 12654 we know that he won a lawsuit against the designer Nebnuf. He had a very long life: the first document attesting to Paser dates from the reign of Sethi II and the last from the second year of the reign of Ramesses IV, some 52 years later. By this time, Paser was already an octogenarian.
pASdw - Pashedu In addition to the titles of Scribe, Scribe of the Tomb and Scribe of the Seat of Truth, we also find him as "Scribe and Priestly Reader". He began his career in the sixth year of Sethi II, when the vizier Praemhab ordered him to return to the team. He was still active during the first year of Ramesses-Siptah. We have another Pashedu among the scribes. In this case, the spelling of his name is incomplete: it ends in a hieroglyph. He is simply referred to as a scribe and probably worked during the reign of Ramesses II. His actual profession as a scribe is not certain: it is possible that he was a draughtsman. The Berlin Papyrus 8523, dated to the 21st dynasty, bears the name of another scribe of the tomb: Painebdjed. Apart from the name, which only appears in this papyrus, we have no further information.
Pnprai - Penprai He is found as Scribe of the Tomb, Scribe of the Seat of Truth, Scribe but also Scribe of the Horizon of Eternity, active between the end of the 20th and the beginning of the 21st dynasty. His father was the wab priest Pehirenthanakhte. There is another Penprai known as a scribe in the Seat of Truth. He is supposed to be the son of the previous one, but this could be a misinterpretation of the inscriptions. Indeed, when reading his son Penprai, it is not certain whether the word son refers to Penprai or to Pehirenthanakhte: in this case Penprai would be the same scribe mentioned above.
pntAwr - Pentaur Tomb scribe and scribe. The period of activity of this scribe extends from the sixth year of Sethi II to the twenty-ninth year of Ramesses III. He was a member of the court and, among other monuments, a statue representing him was carved. In the only case known so far, we know the date of his death thanks to the papyrus of the strike of the year 29, in which we read at the beginning of the document: "Year 29, fourth month of the summer season, day 34, death of the scribe Pentaur, son of Amennakhte".
pntAHwt - Pentahut Known by the title of Scribe and, in his last year of work, as "Scribe of the Army", at the service of the temple of Medinet Habu. We are not sure when he lived: the only certain dates are the 17th year of Ramesses IX and the 3rd year of Ramesses X. His father was Sobeknakhte, probably a scribe himself.
minms - Minmose Scribe, scribe in the Seat of Truth and, in the stele Louvre cat. 218, Royal scribe of the Secrets in the Seat of Truths. He was the son of the scribe Amenenmope and the father of another scribe of the same name who was his grandfather. He worked between the end of the 19th and the beginning of the 20th dynasty. However, his name does not appear in any administrative document.
minfr - Minefer All we know of him is that he was the son of the scribe Butehamon. He is found with the title of Scribe in the Seat of Truths.
mrims - Merimose Known only as a scribe from graffiti 318 and 332. It is currently impossible to determine the period in which he worked.
mrira - Merira Scribe, he was the son of the worker Amonmose. His name was found on two ostraka, together with the scribe Amenemope, in a year 35 which certainly refers to Ramesses II.
mHtSt - Mehaft He is attested as the scribe of the tomb of Graffito 1300. The period in which he lived is uncertain, perhaps the 21st dynasty.
nbnfr - Nebnefer Royal scribe and scribe in the Seat of Truth. He was the son of Hor, a stonemason and, almost certainly, Nebnefer was also a stonemason and not a scribe. We find him on two ostraka (Cairo 763 and 765) cited together with Ankhof and Minefer. He worked between the end of the 20th and the beginning of the 21st dynasty.
nbnTr (w) - Nebnecher Scribe in the Seat of Truth or simply scribe. From the reading of Ostrakon DM 317 it is clear that Nebnecher was a contemporary of Ramose and Pay and therefore active in the middle of the reign of Ramesses II. In this document Nebnecher names Pay as his father, but we are not sure of the relationship: it could be a term used as a sign of affection.
nbxp - Nebkhep His name appears in the Book of the Dead now in Turin, cat. 1768. He was the Scribe of the Tomb and the son of Butehamon.
nfrHtp - Neferhotep He is found with the addition "boy" to distinguish him from his father of the same name. He is a Scribe at the Seat of Truth or simply a Scribe. He lived at the end of the reign of Ramesses III. In one of his letters, addressed to the vizier Ta, he emphasises that he is working assiduously on the tomb of the sovereign's children.
nxmmwt - Nekhemmut Scribe in the Seat of Truth. Active under Ramesses III. From some anonymous letters addressed to him the figure of a not very pleasant character emerges. In one we read, as a note of contempt: "You are not a human being"; in another we read: "You are very, very rich, but you give nothing to anyone... .... you are a bad boy". Let's just say she didn't get much support! The village of Deir el-Medina is an inexhaustible source of this type of message: some of them will be analysed in the continuation of the study.
nAxtsbk - Nakhtsobek Tomb Scribe. He lived in an unspecified period under one of Ramesses III's successors.
nsimnpt - Nesimenopet Tomb scribe. At work during the reign of Ramesses IX. He took part in an interrogation concerning the famous thefts in the necropolis, in the nineteenth year of the last Ramesside king. We have two letters of this character: one written by the scribe himself and addressed to the singer of Amun Mutenhopet concerning problems in some areas; the other is a letter sent to him by the Singer of Amon Henuttaui: from the reading of this letter it is clear that this second singer was most likely the wife of the scribe himself.
nspnfrHr - Nespenefer Nothing is known about him except the title of Scribe of the Tomb. Epigraphic studies place him between the end of the 20th and the beginning of the 21st dynasty.
nspHrntA - Nespherenta From the sarcophagus we know that he was Royal Scribe, Scribe of the Youth of the Lord of the Two Lands in the Seat of Truth, Superintendent of the Treasury of the Horizon of Eternity and Superintendent of the Works in the House of Eternity. Beyond these titles, however, we know nothing: he was probably active in the 21st dynasty.
rams - Ramose Scribe at the Seat of Truth in the first half of the reign of Ramesses II.
He was the son of Imenemhab and Kakaia. His father was not a scribe but an attendant.
The magnificent Pyramidion (Turin 1603) is in the Turin Museum.
© Museo Egizio di Torino
Photography Lenka Peacock 2020
HAy - Hay Royal scribe or Scribe at the Seat of Truth. He was the son of Amennkhte and the brother of his father's namesake.
Hwy - Huy Scribe or, from the reading of a graffiti: "Year 37, fourth month of the flood season, day 14, the Scribe in the Seat of Truth Huy, son of Dhutimaktef". He lived during the reign of Ramesses II and was a contemporary of the scribe Ramose. In Ostrakon Cairo 513 his name appears, together with another scribe, among the absentees. We have three letters addressed to him and one written by him. His name is found in four tombs: TT215, TT219, TT250 and TT336. In the last two we also find the name of his wife: Nefertkha.
Hri - Hori Tomb Scribe. We are dealing with the most mentioned scribe. The first testimony, which is doubtful because of the handwriting, dates from the year 23 of Ramesses III. With certainty, however, we find him mentioned in the Strike Papyrus, dated to the year 29 by the same monarch. The last certain date is the seventeenth year of the reign of one of his successors, Ramesses IX. There are numerous documents referring to Hori: from letters written by him to several papyri. It is also possible that he was the author of a Teaching, according to Gardiner's reading of the Ostrakon Gardiner 2. However, there are other scribes and workers with this name: Scribe Hori, active in the fifth year of the reign of Sethi II; Scribe Hori, who lived at the end of the 20th dynasty; a scribe of the vizier Hori, dated to year 13 of Ramesses IX; a scribe of Mat (reading uncertain) Hori, a contemporary of the more famous Hori and a stonemason of the same name.
Hriwr - Horiur Tomb scribe. His grandfather was Ipuy and his father Amennakhte. Among the scribes there is another Horiur. He was the son of Harmose. His title was that of a simple scribe: his name is known only thanks to a plea from the workers addressed to him in the Turin 111 Papyrus, dated to the year 8 by a Ramesside ruler, perhaps the ninth.
xamHD - Khaemhedj Tomb scribe. Son of Horiur.
xns (w) ms - Khonsumes We find him mentioned three times in the documents found so far: in the sixth year of an unspecified ruler, in the eighth year perhaps of Ramesses IX, and in the third year of Ramesses X when his name appears in a short note in the Necropolis Journal. However, it is not certain that this person was a scribe.
Sobeknakhte His name appears only in the Graffito 1627 with the title of Scribe of the Tomb. He probably lived in the second half of the 20th dynasty.
sbksnb - Sobekseneb In the Turin Papyrus 76 we read that he was the Scribe of the Tomb. He worked in the year 16 of Ramesses IX.
stHmss - Sethmess He appears only once, on British Museum stela EA217, in the company of the stonemasons Sety and Nebra, with the title of Scribe. However, it is possible that he was also a stonemason and not a scribe.
qnHrxpSf - Kenherkhepeshef Scribe, Tomb Scribe and Scribe at the Seat of Truth during the reigns of Ramesses II and Merenptah. His tomb, mentioned in the Turin papyrus, was very large and was located in the southern part of the cemetery of Deir el-Medina: unfortunately it is now completely lost. We also find this scribe in Papyrus Salt 124, where he is accused of having accepted a "bribe" from a certain Paneb and saved him from an accusation. From the study of the texts relating to this scribe, the figure of a character emerges who did not make honesty his own banner.
kAnxt - Kanakhte His title was "Chief of Works in the Horizon of Eternity". He lived in the second half of the 20th dynasty.
kAnr - Kaner Royal scribe in the Seat of Truth. We find his name on Ostrakon Cairo 504, dated to the seventh year of Merenptah.
tA - Ta Tomb Scribe and Royal Scribe at the Seat of Truth, or simply Scribe. He was a member of the family of the scribe Amennakhte.
TAy - Tjay Tomb scribe and royal scribe in the Seat of Truth or simply scribe. He was also part of the family of the scribe Amennakhe. He was active during the reigns of Ramesses II and possibly Sethi I.
TAry - Tjaroy He is the scribe of the Tomb Dhutmose, who was so nicknamed. He is a descendant of Amennakhte and the son of Ipuy.
DAy - Dyay Tomb Scribe. We read in Ostracon Cairo 261 that he was the son of the worker Nekhemmut. He worked under Ramesses IX. However, the name Dyay is otherwise unknown in the New Kingdom. The correct spelling could be Any.
Sources:
1 Papiro Torino, Cat. 2018 (anno 8 di Ramesse XI).
2 The reading of the hieroglyphic signs, as these are in a bad state of conservation, is uncertain: it could also be called Iuefenmont.
3 Davies stele and Berlin stele 20989.
4 The day, however, is of uncertain reading.
The site of Deir el-Medina has produced a large number of documents, many of which are ostraca, thanks mainly to the excavations carried out in the 1950s in the Great Pit in the north-western area, which was artificially dug by the working community to search, unfortunately in vain, for water. These documents reveal an extremely lively society, certainly a very modern one. Here are just a few examples.
In the ostracon DM328, dated to the reign of Ramesses II, we read the complaints that Pabaki sent to his father, the painter Maaninakhtef, about the bad work of a labourer: "I did what you told me: let Ib work with you. You see, it took him all day to fill the jars with water and he did nothing else during the day ... ... the sun is setting and he is still absent".
In another Ostrakon, Leipzig 2.3, we read of some problems with the weight of the food rations distributed, with the accusation, addressed to the scribe Paser, that he had used a badly calibrated weight. As the record is not completely preserved, we do not know whether Paser was a fraud or whether there were indeed problems with the weight.
Ostrakon DM546 contains a curious promise of payment by the washerman Bakenuerel in which we read that if this washerman should not pay within the third month of winter, day ten four pieces of cloth to the worker Pashed, it would authorize him to be given 100 blows with a stick and to pay the worker double the value of the goods.
Ostracon Berlin 12630, dating from the 20th dynasty, perhaps during the reign of Ramesses III, has a different tenor. Mesu, a labourer, explains to a woman whose name is not given that her husband, the scribe Amennakht, has not yet paid the agreed price of a calf in exchange for a sarcophagus. Mesu discussed this with Paakhet, who promised to bring him the calf in exchange for a bed. Apparently the calf was not brought and Mesu concluded by asking for the return of the bed and sarcophagus.
Ostrakon DM 133 reports three appeals to the oracle of King Amenhotep I for the policeman Amenkha to guarantee the payment of 9 deben for the use of a donkey belonging to the painter Harmin.
We read in the ostraka of many disputes about donkeys, obviously a very important animal for the community: on the other hand, Egyptians are still very often seen riding on donkeys! Little has changed!
Ostrakon Prague 1826, dated to the 19th dynasty, shows a scene of a family quarrel. In this document a certain Takhentyshepset writes to her sister Iy complaining about her husband. "I had a quarrel with Merymaat, my husband. I'm going to divorce you, he keeps telling me, because my mother doesn't give us the amount of barley we need to make bread. ...... Your mother does nothing for you, and neither do your brothers and sisters... ...In short, you have to go back: take note! ". We do not know how the story ended. In many other ostraka there is news of the progress of the work.
An ostrakon, Cairo 25644, reports Neferhotep's curious complaint about a woman who works with him: "What kind of girl is she? Does she always need food?
These are just a few examples: surely many were written by scribes seeking additional remuneration. A more in-depth analysis of these messages will be the subject of one of Alessandro Rolle's forthcoming publications. We look forward to reading them!
The Thames Valley Ancient Egypt Society hosted an online Zoom lecture on 6 March 2021 entitled "Revealing the Practice of Tattooing in Ancient Egypt" with speaker Dr Anne Austin,
Assistant Professor of Anthropology & Archaeology at the University of Missouri, St. Louis. Her research combines the fields of osteology and Egyptology to better understand daily life in ancient Egypt. In particular, she uses data from ancient Egyptian human remains and daily life texts to reconstruct ancient Egyptian health care networks and identify the diseases and illnesses that people experienced in the past.
The practice of tattooing in ancient Egypt is rarely documented. Egyptologists have identified tattoos on very few mummies from the more than 3,000 year history of pharaonic Egypt. Textual evidence is virtually silent on the practice, and art historical evidence is often obscure. In 2014, the mission of the Institut Français d'Archéologie Orientale (IFAO) made an incredible find - an extensively tattooed mummy from the necropolis of Deir el-Medina. With over 30 tattoos, this woman completely redefined what was known about tattooing in ancient Egypt. Her tattoos have been identified on her arms, shoulders, back and neck. They were all figurative, sometimes hieroglyphic in nature. It has been suggested that the tattoos had a divine function, as they would have been visible to the local population. A study of her tattoos provides new insights into this practice - on the top of her left and right shoulders, and also on her neck (above the throat), she had wadjet eye and nefer symbols, similar to a formula often associated with the goddess Hathor in New Kingdom graffiti. Other tattoos on her body were difficult to interpret, but many related to the goddess Hathor - there were two cows facing each other wearing menat necklaces. On her back was a clump of bent papyrus stalks with a water symbol underneath. This matched the same symbol found on the floor of the Temple of Hathor at Deir el-Medina. The extensive use of Hathor imagery in these tattoos shows the incredible amount of religious authority women could hold at a time when the title "Priestess of Hathor" was not even documented.
Dr Austin argued that tattoos in ancient Egypt had a more complex function than previously thought, when scholars have suggested that for Nubian women tattoos served as a marker of their ethnic identity. Even in the New Kingdom, tattoos could identify a woman as a dancer or Hathor, as well as being associated with Nubia, or because Hathor was associated with Nubia.
Early excavations at Deir el-Medina predate the study of human archaeology, so we do not have an accurate record of the human remains at the site, as many were moved and some were not mentioned by Bruyère in his reports. The team's aim is to identify the location of all human remains at Deir el-Medina.
Since 2014, the team has used infrared imaging - when skin is photographed in infrared and tattoos invisible to the naked eye become instantly clear and visible - to identify dozens of new tattoos among the many unpublished human remains at the site. This talk presented the latest findings from the bioarchaeological team of the 2019 and 2020 IFAO mission to Deir el-Medina, led by Dr Austin. These additional tattoos indicate that many more individuals were likely tattooed at Deir el-Medina. The designs and placement of the tattoos varied widely. The team is finding a large number of tattoos on the mummies' hips, thighs, inner forearms and on their lower backs, which is the most common location for tattoos.
The symbolism and motifs of the tattoos are also examined, as well as how typical they are. For example, Bes is very common in ancient Egyptian art, but until now there has been no evidence of Bes in tattoos, although it has been identified on a woman's front thigh. Most of the imagery is naturalistic - animal deities and floral motifs dominate the tattoo arena. No hieroglyphic texts have been found.
The team focuses not only on human remains, but also on how they relate to artistic representations of tattooing and how they correspond to physical evidence, such as the Bes example mentioned above. It is becoming clear that the tattoo motifs that appear on ostraka, in paintings on tomb walls, on figurines and even on cosmetic spoons may reflect similarities observed in everyday life in ancient Egypt.
Dr Austin concludes that tattooing is probably more common than we think. More research will lead to a better understanding, as many tattoos are currently overlooked because they are not searched for. She considers whether women in Deir el-Medina may have had a parallel artistic tradition focused on everyday life - with symbolic motifs inscribed on the body. If tattooing in Deir el-Medina was done on women, but also by women, we should reconsider whether other art in the village could have been produced by them.
Combining physical and art historical evidence, this lecture provided some of the most comprehensive evidence we have to date for the practice of tattooing in ancient Egypt. Dr Austin's next research project will focus on the practice of tattooing in ancient Egypt and its potential links to gender, religion and medicine. In addition to her interests in Egyptology and Osteology, she is working to improve archaeological data management practices through her participation in an international collaborative ethnographic research study of archaeological field schools.
Temporary exhibition “Archeologia Invisibile” (Invisibile Archaeology) at the Egyptian Museum in Turin, Italy
The aim of the temporary exhibition is to illustrate the principles, tools, examples and results of the painstaking work of reorganising information, data and knowledge, which is now possible thanks to the application of science and technology from other disciplines to the study of the archaeological finds in the Turin collection.
The virtual tour is a powerful immersive tool developed by two students of the Cinema and Media Technology course at the Politecnico of Turin, in collaboration with the creative studio Robin, who have used 360° cameras to create a faithful 3D reproduction of the exhibition. Thanks to the virtual tour, it is possible to explore the exhibition rooms, to "browse" all the elements, to watch the videos and to study the various finds.
https://cdn-cache.museoegizio.it/static/virtual/ArcheologiaInvisibileITA/index.html
Enrico Ferraris graduated in Egyptology from the University of Turin and then
in Pisa with a thesis entitled: "Celestial objects and star cults in Egyptian pictorial and
in Egyptian pictorial and textual documentation". He worked for the excavation
of the University of Turin in Alexandria in Egypt (2001-2007) and for the Italian Ministry of
Ministry of Foreign Affairs at the Egyptian Museum in Cairo as part of the
"GEM - Grand Egyptian Museum project (2004). Since 2013 he is curator
at the Egyptian Museum in Turin and is responsible for the archaeometric analysis of the remains of the
programme of the remains of the intact tomb of Kha and Merit, called the
TT8 Project (2018-2023). He curated the temporary exhibition Invisible Archeology
(currently in progress).
The sarcophagus of Butehamon and its videomapping: https://www.youtube.com/watch?v=FgR1fG9ag4Y
Tattoos at Deir el-Medina