Sources:1. Borla, Mathilde : Les Statuettes Funéraires du Musée Égyptien de Turin In: Dossiers d'Archeologie
2003
2. KMT, vol. 14, pt. 1
3. Meskell, Lynn: Intimate archaeologies : the case of Kha and Merit. IN: World Archaeology, Vol. 29,
No. 3, Intimate relationships (Feb. 1998), p. 363-379.
4. Shaw, Ian, Nicholson, Paul: British Museum dictionary of ancient Egypt
London: British Museum Press, 1995.
5. Reeves, Nicholas: Ancient Egypt : the great discoveries : a year-by-year chronicle
London : Thames & Hudson, 2000.
6. Vassilika, Eleni: The tomb of Kha : the architect
Torino : Fondazione Museo delle Antichita Egizie, 2010.
7. Russo, Barbara: Kha (TT 8) and his colleagues : the gifts in his funerary equipment and related
artefacts from Western Thebes
London : Golden House Publications, 2012.
8 https://arxiv.org/ftp/arxiv/papers/1107/1107.5831.pdf
9. Raffaella Bianucci, Michael E. Habicht, Stephen Buckley, Joann Fletcher, Roger Seiler, Lena M.
Öhrström, Eleni Vassilika, Thomas Böni, Frank J. Rühl. "Shedding New Light on the 18th Dynasty
Mummies of the Royal Architect Kha and His Spouse Merit", in PLOS-One, July 22, 2015
http://journals.plos.org/plosone/article?id=10.1371/journal.pone.0131916
Images of Deir el-Medina:
past & present
TT2 of Khabekhnet at Deir el-Medina
Khabekhnet was the eldest son of Sennedjem (TT1). He lived during the 19th dynasty when Ramesses II (1279-1212 BC) was on the throne. His title was "Servant in the Place of Truth". He lived in Deir el-Medina and worked in the royal tombs at the
Valley of the Kings. Khabekhnet's house was located in the south-western part of the village. It was next to the house of his father Sennedjem (Théby,2007,276).
Photography © 2007 Andy Peacock
Khabekhnet was buried along with his wife, Sahte, and their family in a tomb located above and slightly to the south of his father's tomb. Khabekhnet's family was as large as Sennedjem's family. A stela found in the courtyard of the tomb contains the names of Khabekhnet, his brother Khons and several children: Mose, Anhotep, Amenemheb, Isis and Henutweret. Benedict Davies suggests that they were all descendants of Khabekhnet (Davis,1999,45).
Photography © 1964 Helmut Satzinger
Another group of Khabeknet's children are listed in a register on the north wall of the hall of his tomb:
The sons Sennedjem (ii), Piay, Bakenanuy and Kha and the daughters Webkhet, Mutemopet and Nofretkhau (Davis,1999,45).
Inscriptions on a statue of Khabekhnet and Sahte preserved the names of their three other daughters:
Roy, Nodjemmut and Wabet and the names of their grandchildren Mose, Khaemseba and Mutkhati (Davies,1999,46).
The substructure of the tomb contains decorations and scenes of the gods Ra, Osiris, Hathor and the king, as well as Hapi and offerings and scenes of various other deities.
Photography © 1964 Helmut Satzinger
The goddess Isis spreads her protective wings over the bed on which the mummy of the deceased lies and the priest with the mask of Anubis tends to it. It represents Chapter 151 of the Book of the Dead. The goddess Isis and the goddess Nepthys are kneeling beside the bed.
Photography © 1964 Helmut Satzinger
Another wall shows a similar scene in a slightly different form: Anubis, the jackal-headed embalmer, attends to the dead Khabekhnet, who is represented here as a mighty fish rather than the usual human mummy, lying on a lion-legged couch. The following words accompany the scene "Anubis, the imy-wt, says: I come and I am your protector of eternity, oh abdw-fish of true lapis lazuli". The four sons of Horus (Imset, a human-headed deity in charge of the liver, Hapi, a baboon-headed deity in charge of the lungs, Duamutef, a jackal-headed deity in charge of the stomach, and Kebechsenef with the head of a falcon in charge of the intestines of the lower body) flank the fish at the head and foot of the bed. The whole scene is framed by a tent at the sides of which Isis and Nepthys kneel on clumps of lilies and papyrus plants. The painting remains unique.
The large "abdw" fish was identified as the Nile perch (Lates niloticus) and explained as a symbol of the deceased awaiting rebirth (Germond,2001,143). Patrick Houlihan admits that the exact meaning of this fish mummy is uncertain, but he thinks that it probably represents the deceased joining with the god Osiris (Houlihan, 1996, 132). Ingrid Gamer-Wallert (Gamer-Wallert,1970,131-132) suggests that the abdw fish is related to the tilapia, a fish that symbolises rebirth in ancient Egyptian art. She argues that the fish in this painting represents the followers of Re and his boat, or even a manifestation of the sun god himself. Could it be that the dead man, believing that his continued existence was assured by the presence of the sun bark and the tilapia and abdw fish, also felt the desire to transform himself into one of these fish, and thus into one of the manifestations of Re? Why Khabekhnet chose the abdw fish in this case, rather than the more common tilapia, we may never know.