Stela dedicated to the god Ptah by Nakhtemmut
Limestone
Deir el-Medina
20th dynasty (1196-1070 BC)
Inv. 22788

Dating from the New Kingdom and more specifically from the end of the 18th dynasty (c. 1,400-1,300 BC), the funerary painting is executed on a polychrome linen cloth, commonly used for mummy bandages and shrouds. It is said to have been discovered by Bernard Bruyère during his excavations at Deir el-Medina with the French Institute. It seems to have been acquired by Lucien Lépine in Qurna before 1926. In the same year, it came into the possession of Paul Mallon (1884-1975), a Parisian antiquarian.
A handwritten contemporary card with the image and details of the cloth could be viewed at https://dl.dropboxusercontent.com/u/41227380/Documents/PIASA-18-June-15-Paul-Mallon.pdf - the link is no longer available online.  
A year later, it became part of the collection of Madame Arthur Sachs. Loviton Jeanne (1903-1996) acquired it in 1939 and it has remained in the family until today.

The canvas shows the profile of a seated man looking to the right. In front of him is a pile of offerings. He wears a white, medium-length, pleated kilt and a usekh necklace around his neck. On his head is a short black curly wig topped with an ointment cone. The seat he sits on is black, with animal legs and a high curved back. He holds a piece of cloth in his right hand, while his left hand is extended towards the offerings, consisting of 3 pieces of bread, 3 pieces of vegetables and a piece of meat. In the field in front of him are two columns of hieroglyphs written in black ink. They are read from top to bottom, starting with the one on the right:
1st column: wdn xt nbt nfrt wabt = Offering everything beautiful and pure
2nd column: n kA n tA-nDm mAa xrw  = for the Ka of Ta-Nedjem, true of voice

Liverpool
These mummiform shabtis wear a plain tripartite wig with a sheded headband tied at the back, which has been added in black. The headband is faint in places due to surface wear, as the yellow paint applied to the low-fired clay has worn away considerably. The arms are crossed, with the left arm over the right, above the waist, and the hands hold a pair of hoes modelled in relief and painted black. A square-hatched basket with shoulder straps is carried on the back. Some vertical inscriptions written in hieroglyphs read:“The Osiris, the wab–priest of Amun, Djedkhonsu, justified”.
The condition is poor. There is surface loss. The yellow pigment is very powdery.
BM 
A painted pottery shabti of Djed-Khonsu, a priest of Amun. He has a lappet wig tied with a black fillet, a modelled face, and crossed hands in relief holding black hoes. The front of the leg section is inscribed with a column of very worn black painted hieroglyphs.